nouvelle-expo

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MBA Fine arts

ART JAPONAIS 1960 - 1990

April 11 to May 30, 2026

16 rue Visconti, 75006 Paris

Camille Ayasse Staletti is delighted to announce an exhibition of new ceramic works by Shiro Tsujimura, the artist's first solo presentation in France, and his debut with the gallery.

Born in 1947 in Nara, Japan, Tsujimura is a self-taught ceramic artist whose practice is rooted in the philosophy of wabi-sabi: an embrace of imperfection, transience, and the beauty found in raw, unfinished forms. His path to ceramics began with a single encounter: an Ido tea bowl that led him to abandon painting entirely and devote himself to the art of clay. From that pivotal moment, he immersed himself in the traditions of Shigaraki, Iga, and Shino, while forging a practice defined by spontaneity, intuition, and an intimate relationship with fire. Tsujimura's formation as a monk has been as central to his work as any technical training. His vessels and tea bowls carry the weight of that spiritual discipline: quiet, austere, and deeply connected to the natural world. Each piece emerges from a process that welcomes the unexpected, allowing the kiln to participate as a collaborator rather than a tool.

His works have been exhibited at institutions of international standing, including the Metropolitan Museum of Art in New York and the British Museum in London, affirming his position as one of the most significant voices in contemporary ceramics.

For this exhibition, Camille Ayasse Staletti presents a focused selection of works that invites viewers into the meditative world Tsujimura has spent a lifetime building one form, one firing, one irreducible moment at a time.

Shiro Tsujimura, born in 1947 in Nara, Japan, is a self-taught ceramic artist whose work blends traditional Japanese pottery techniques with wabi-sabi philosophy, emphasizing imperfection and transience. Inspired by an Ido tea bowl, Tsujimura shifted from painting to ceramics, mastering styles like Shigaraki, Iga, and Shino while embracing spontaneity in his firing process. His raw, organic forms reflect a deep connection to nature and spirituality, shaped by his training as a monk and independent spirit. Tsujimura's works are globally exhibited, including at the Metropolitan Museum of Art and the British Museum, affirming his enduring impact on contemporary ceramics.

Shigaraki Vase 1998Ido Tea BowlIga Jar 2001

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